“No matter what you’re going through, there’s a light at the end of the tunnel … just keep working toward it and you’ll find the positive side of things.”
A friend who lives in the states sent me this, it’s from a few days ago. It’s counter to the current mainstream narrative, so, was an interesting watch for me – as I like to get the story from more than one perspective.
I’m not “on the ground” in US, don’t know Cuomo personally. etc, etc. – So, as for the truth, either way, I don’t know. As per my disclaimer, that’s for you to decide.
How did we get to this dire point; not all at once, I suppose, but bit by bit, being too busy with life; drunk with regrets of the past and manipulated into worrying about the future. I don’t know what stand to take today. I tried writing this post so many times, stopped, and started, and stopped, and then back to the keyboard – and all I accomplished was to exhaust myself; you’d think it were a love letter, where I struggle to find the perfect words to make it work; while hiding the gore of bodies piling up without end as we speak –
Going back to the beginning of this virus, I started gathering information, believing it would help me and my loved ones. I watched and read everything about this novel virus. I even had an opinion about how governments of countries are handling it, and responding to it, and soon enough it began to take me hostage; it had become an addiction; collecting all the news this virus was creating. The stories I came across were endless; the mistakes and delays of the world health organization, the secret agendas of governments, Bill Gates and the Rockefellers involved in promoting it, conspiracy theories, a novel supposedly written in 1981 predicting it; and then I put my two-cents in too… what if just maybe, E.M. Forster predicted our restricted lives due to this virus, in his short story, The Machine Stops, (1909), and just maybe, the Titanic had also been predicted in Morgan Robertson’s novella The Wreck of the Titan (1898). And was it the iceberg that took 1500 lives, or was it the delayed response, and ignorance to the iceberg? But, does any of this solve the problem?
I listened to people complaining about having to stay home. Could they not see the devastating alternative; images around the world of hospitals in chaos, doctors forced to decide who lives and who dies. Dead bodies in New York, stacked up in 18 wheeler-truck-fridges. A nurse in Italy, calling it the lonely flu; people dying all over the world without any hope for recovery; isolated without their loved ones to hold their hand in their final moment; to be reminded that THEY WERE LOVED! This virus has exposed the weaknesses in our system, our weakness to prepare, our weakness to prevent and to prevail – I think about our response to this virus; our delayed actions, and ignorance; the crack in our health system due to the governments we voted for; or didn’t even bother voting; too busy that day; giving away our greatest power of voice.
I listened to President Trump telling the American people that it was going to go away like a miracle, I heard Boris Johnson claiming that there was no need for restrictions; business as usual; we’d eventually become immune to it; Turkmenistan’s government claiming it doesn’t exist and, making it illegal to utter the word “coronavirus” or you’ll be arrested. The world health organization not only took too long to declare it a Pandemic, but they also informed us that there was no true evidence of human to human transmission, on January 14th – And China kept too quiet about the information that would have saved lives.
“Ceidefields” by (c) Barrie Maguire
But I will not search for more to blame. I closed my door to the fear this virus has been spreading; the kind of fear that makes us weaker. I began to feel the stillness I was forced to bear and noticed the voice inside my head; words not mine, but nevertheless, coming from me; regurgitations of the outside world telling me, all the things I should believe and should be doing and should be wanting. And I stopped! I was not going to waste any more time –
These stay-at-home restrictions haven’t been taking time away from us; they’ve been giving it back to us. Having to live hour-to-hour, I realize that all I have in this world is that hour; that moment to moment that flows through me, and what I choose to do with that moment, determines everything. . . “God give me the wisdom to know the difference.” –
So, I wonder about the universal values of today – how do we make choices; on the basis of what? Yes, 95% of the information out there is a lie, so what is the truth? The truth might be that it will go away and that we will continue our lives regardless of how it has affected each and every one of us. We will gather the data and analyze the outcome – and there will be much talk and more blame but the crime will never be solved; and then soon after, we may forget.
Or we can decide to wrap our arms around the only thing that truly belongs to us – the present moment in time – not the past – not the future – only that precious moment; the one thing no one can take away from us; the most precious commodity we give away, in exchange for a deception; a promise for a “better” future waiting to be obtained. Aren’t the past and the future merely labels to define illusions; an anchor holding us back and, a promise of a holy grail at the end of the tunnel, in exchange for our lives?
Having to give up my freedom for a brief moment in time ended up saving me from an empty life filled with goals but no essence. This stillness made me aware of how numb I had become, and how I completely took my existence for granted; using myself to make ends meet, instead of experiencing life as a means to an end. So do I want to go back to that life, when the restrictions have been lifted; do we go back to the life this virus momentarily took away from us, or, when this is all over, do we make it better?
The Nature of Time by (c) Maria Fokas April 5/2020 (Thankyou Maria)
Artwork – “Ceidefields” by (c) Barrie Maguire, (published with permission of the Artist, Thankyou Barrie)
Maria has also written a poem, which is kind of a “companion” to this writing, you can find it here –
Thanks to Maria Fokas, for this guest blog, which I’m EXTREMELY proud to publish. She’s lovely person and would highly recommend visiting her at her blog.
Promoting a blog or website is a continuous process, provided that is you actually want people to visit your site. For most individuals/businesses/charities/artists/writers we want people to visit our site, that was the whole point of setting up a website in the first place.
There are many facets and opportunities in promoting, forum SEO just one of many.
Forum SEO has garnered a recently “retired” WordPress.com support volunteer over 8 MILLION hits on their relatively mediocre site. So, it’s a strategy that IS very VERY powerful.
Bernard posted this lovely poem in my comments today. I thought it worth sharing :
Bonjour Ami
J’ai un cœur, tout tendre qui bat
Un petit cœur qui pourtant est grand comme ça
Il y a toujours une place pour une personne
Mon petit cœur est peux-t être fragile
Il m’a dis un jour
Que tu as réussi à trouver le mot de passe pour venir sur mon blog
Que ce code n’était pas très compliqué
Il est fait d’amour et d’amitié , de tendresse et de douceur
Ce n’est pas parce que on ne se voit pas ,que cela n’existe pas
Mon petit cœur te souhaite une bonne journée en ce Vendredi
Un bon week-end
I have a tender, beating heart
A little heart that is however big like that
There is always room for one person
My little heart can be fragile
He told me one day
That you managed to find the password to come to my blog
That this code was not very complicated
It is made of love and friendship, tenderness and sweetness
Just because you don’t see yourself doesn’t mean it doesn’t exist
My little heart wishes you a good day on this Friday
A good week-end
YouTube thinks I should be watching a lot of Joe Rogan – so who am I to argue.
This one just out, Dr.Peter Hotez who speaks about Coronavirus. It’s a long watch, but worth the “effort”.
Peter Hotez, M.D., Ph.D. is Dean of the National School of Tropical Medicine and Professor of Pediatrics and Molecular Virology & Microbiology at Baylor College of Medicine where he is also the Director of the Texas Children’s Center for Vaccine Development (CVD) and Texas Children’s Hospital Endowed Chair of Tropical Pediatrics.
I don’t know why exactly, but I do really love blogging, and even more so creating things. I think art is mean’t to be shared (otherwise what’s the point in doing it ?), and a blog allows that combination of creation and sharing.
I’ve been doing my best to try and warn people about the Coronavirus pandemic as it transpired. And, I don’t make any money from blogging. Today, I feel like I’ve been sitting at my computer for weeks now, and fed up with dealing with stupid people I have to deal with on a day-to-day basis.
And, no I probably don’t mean you, I do mostly get many lovely commenters, who are supportive and positive, good well meaning people. No, it’s a tiny minority who are complete assholes. “Haters gonna hate” I think is the collective wisdom on this. And “The biggest fool is the fool that argues with a fool” or there or there about.
A fellow blogger once advised me – “just put them in the spam folder, and you’ll never hear from them again”. Not sure that’s very ethical solution, or recommended, just passing on what he told me.
So today, as I have all the ingredients, I’m baking some bread, which I haven’t done for a while. Not quite sure what kind of bread it will be, I have a selection of flours, and a sourdough culture living in my fridge.
Sometimes I use my breadmaking machine just to make dough, and then cut up into balls, wrap in clingfilm and freeze (like the photo above). Then with pizza sauce and mozzarella, I can make my own pizzas, as and when I want.
As I don’t have an oven, I cook the pizza base, like the “Fry bread” which I watched native Americans make. Basically I roll the Pizza base out into a round shape, leave in the the frying pan (with lid) to rise. Then nuke it on highest setting the hob will do, the steam generated by the lid being on helps to cook the pizza base. You have to be careful, because the time difference between “cooked” and “burnt” is literally around 30 seconds. So timing is everything with that one. Oh, and it does need turning once the bottom is cooked, to cook the top for a short time.
Other times I can let the machine complete it’s cycle and bake a loaf. I pause the cycle after it’s mixed, so I can remove the stirrer from the dough, so loaf doesn’t have a hole in it where the stirrer was, when baked.
Anyway, hope you are safe and it stays that way for you and your loved ones.
Thanks again to Seax for another suggestion – an opportunity to hear and appreciate some music I’d never heard before.
Some more experimenting with video editing and special effects. Well within the limits of the Windows 10 Video Editor. It just about does the job, but is a little flaky on my somewhat cheap laptop.
Mon Homme (“My Man”) by Mistinguett … From 1938. I believe there are many cuts of this track, this one I found most pleasing to my ears.
It’s in French, so sorry for everybody who doesn’t understand the lyrics – like I said before about the song which had been culturally appropriated by identity politicians – just enjoy the art, and stop taking yourself so seriously.
“Mon Homme” (French pronunciation: [mɔ.n‿ɔm]) is a popular song also known by its English translation, “My Man”. The song was originally composed by Maurice Yvain with French lyrics by Jacques-Charles (Jacques Mardochée Charles) and Albert Willemetz.
Mon Homme was copyrighted in France by Maurice Yvain, Albert Willemetz and Jacques-Charles (Jacques Mardochée Charles) in 1920 and was introduced to Parisian audiences in the revue “Paris qui Jazz” at the Casino de Paris. The song was performed by revue star Mistinguett and her stage partner American dancer Harry Pilcer.
“My Girl” is a soul music song recorded by the Temptations for the Gordy (Motown) record label. Written and produced by the Miracles members Smokey Robinson and Ronald White, the song became the Temptations’ first U.S. number-one single, and is today their signature song. Robinson’s inspiration for writing this song was his wife, Miracles member Claudette Rogers Robinson. The song was included on the Temptations 1965 album The Temptations Sing Smokey. In 2018, it was selected for preservation in the National Recording Registry by the Library of Congress as being “culturally, historically, or artistically significant.
A Canadian friend of mine wasn’t able to watch a video I made on YouTube, I think because of their location. The copyright owner of the music had already taken any money earned (which I don’t care about), but Geo-limiting who can watch is a bit “pisch” as Scots would say, ie “bollocks” as British would say.
A video I tried to share of Italian doctor and nurse describing the heatbreaking situation in Italy, was taken down, I think by YouTube, because it didn’t fit the political narrative of the moderators. These kinds of messages whilst distressing, should be allowed. As far as I know it wasn’t “fake news”, I have seen other meltdowns of medical staff, working long shifts, with their lives in constant danger (Medical staff worldwide are under immense pressure) – this is real life, and IT IS IN THE PUBLIC INTEREST that the public know the truth. Not censored by the “wrong think”/”wrong speak” police.
So, I’ve opened a BitChute account, which don’t do this kind of stuff (as far as I know). Kinda like YouTube used to be like for those of us that can remember 10 years back.
I don’t have any videos on my BitChute channel yet, as new channels have to go through some kind of approval system, before I (or you) can upload. It’s said to take 24-72 hours.
The primary purpose of opening the channel on BitChute is free speech. I believe people should be able to say what they want to say. Censoring for partisanship reasons, ie basically totalitarianism – is essentially the highway to hell – some seem to have forgotten lessons we learn’t under totalitarianism despot rule, in the present and not that distant past – Russia, Cambodia, China etc, and currently Venezuela. The death toll is said to be in the 100s of millions, people were murdered and some starved to death. If you need a reminder watch “The Killing Fields” or read George Orwell’s “1984”, and other works. Somewhat ironically, from what I understand Orwell was a leftist.
This time I decided to do my own video. Originally a Temptations song – Maybe I’ll post their version later.
I made the video myself – One of my first attempts at video editing, using the built in software in Windows 10 “Video Editor” – it’s OK, but I did have some issues (don’t use too many effects on one clip). Often other videos aren’t that well made – So I thought I’d try my hand at making my own. You can be the judge of whether I made a good job or not !
I like the idea of using the creative tools that are to hand for free, rather than forking out cash that I don’t have. And simple is good these days.
I recently posted Boogie Woogie Bugle Boy by Andrews Sisters – seems that that song was one of Christina’s inspirations when writing this song. Wikipedia lists Candyman as Pop – Jazz – Swing.
For me I like the upbeat sound, and the modern’ish take on vintage music. The lyrics are a bit trashy, but that only adds to the appeal IMO (sorry puritanists and snowflakes).
“Candyman” is a song recorded by American singer Christina Aguilera for the second disc of her fifth studio album, Back to Basics (2006). She co-wrote the song with its producer Linda Perry. “Candyman” was planned to be released as the second single from Back to Basics; however, RCA Records decided to release “Hurt” instead. Subsequently, the track was released in February 2007 as the third single from the album.
Christina Aguilera co-wrote “Candyman” with its producer Linda Perry. Jim McMillen played the trombone, while Ray Herrmann and Glen Berger performed the saxophone, and Chris Tedesco played the trumpet. Perry also played the piano, mellotron, bass, and served as the musical director. Nathan Wetherington played the drums. According to Aguilera and Perry, the song was a tribute to The Andrews Sisters’ 1941 song “Boogie Woogie Bugle Boy”
Another double musical whammy, straight from the Don Charisma playlist. Otis wrote the song, and later became a much bigger hit for Aretha.
Let me know in the comments which one you like best.
Aretha
Otis
“Respect” is a song written and originally released by American recording artist Otis Redding in 1965. The song became a 1967 hit and signature song for soul singer Aretha Franklin. The music in the two versions is significantly different, and through a few changes in the lyrics, the stories told by the songs have a different flavor. Redding’s version is a plea from a desperate man, who will give his woman anything she wants. He won’t care if she does him wrong, as long as he gets his due respect when he brings money home. However, Franklin’s version is a declaration from a strong, confident woman, who knows that she has everything her man wants. She never does him wrong, and demands his “respect”. Franklin’s version adds the “R-E-S-P-E-C-T” chorus and the backup singers’ refrain of “Sock it to me, sock it to me, sock it to me…”.
Otis and Carla duet, fun, lighthearted sweet soul music.
Otis Redding recorded “Tramp” as a duet with Carla Thomas for Stax Records. The song was first included on the joint album by Redding and Thomas, King & Queen (1967). Described as “playful” by Dahl, it was released as a single only months after Fulson’s. Credited to “Otis and Carla”, the duo’s version outsold Fulson’s original and peaked at number two on Billboard’s R&B and number 26 on the Hot 100 charts.
I’m proud of my own flag – I assume others are too.
I’ve added the Romanian flag to my sidebar, as many Romanian people visit my blog (almost 11000 views), and occasionally I get comments in Romanian (Thanks Google translate).
Welcome and hello to all my Romanian readers, best wishes to you all. Thankyou for reading and visiting my blog.
He’s a doctor from Madrid, and a nurse speaking from Spain. It’s quite intense and distressing, so be forewarned before watching. They don’t have enough respirators and are being forced turning them off for people over 65. Family can’t be present, so these people are dying sedated ALONE.
They need your help to get this message out, *URGENTLY* so please reblog, share etc wherever you can, however you can. No need to give credit to me, just share the video, by whatever means you can.
Otis’ probably definitive and best known record. RIP Otis Redding, this was his last record.
“(Sittin’ On) The Dock of the Bay” is a song co-written by soul singer Otis Redding and guitarist Steve Cropper. It was recorded by Redding twice in 1967, including once just days before his death in a plane crash. The song was released on Stax Records’ Volt label in 1968, becoming the first posthumous single to top the charts in the US. It reached number 3 on the UK Singles Chart.
Redding started writing the lyrics to the song in August 1967, while sitting on a rented houseboat in Sausalito, California. He completed the song with the help of Cropper, who was a Stax producer and the guitarist for Booker T. & the M.G.’s. The song features whistling and sounds of waves crashing on a shore.
“I must not fear.
Fear is the mind-killer.
Fear is the little-death that brings total obliteration.
I will face my fear.
I will permit it to pass over me and through me.
And when it has gone past I will turn the inner eye to see its path.
Where the fear has gone there will be nothing. Only I will remain.”
Came across this quote today – it’s a quote for all “wrong thinkers”, “wrong speakers” and free speech/1st amendment champions worldwide … dunno if Mr Orwell will save us from the thought police though, even though he did warn us …
“If liberty means anything at all, it means the right to tell people what they do not want to hear.”
I’m proud of my own flag – I assume others are too.
I’ve added the Netherlands/Holland flag to my sidebar, as many Dutch people visit my blog (almost 20000 views), and occasionally I get comments in Dutch (Thanks Google translate).
Welcome and hello to all my Dutch readers, best wishes to you all. Thankyou for reading and visiting my blog.
One of the best Aretha Franklin tracks ever made, another favourite of mine … 144 million views on YouTube, so I guess it’s quite popular with others too !
The second version is the “official” one (I think) … I couldn’t tell any difference in the audio between the two, and the first one, has some great photos of Aretha. So, I included both for you, you decide which one you want to listen to.
“I Say a Little Prayer” also returned to the Pop & R&B Top Ten in the fall of 1968 via a recording by Aretha Franklin taken from her 1968 album Aretha Now. Franklin and background vocalists The Sweet Inspirations were singing the song for fun while rehearsing the songs intended for the album when the viability of their recording “I Say a Little Prayer” became apparent, significantly re-invented from the format of the Dionne Warwick original via the prominence of Clayton Ivey’s piano work. Similar to the history of Warwick’s double-sided hit, the Aretha Franklin version was intended for the B-side of the July 1968 single release “The House That Jack Built” but began to accrue its own airplay that August. In October 1968 “I Say a Little Prayer” reached number ten on the Hot 100 and number three on the R&B singles chart. The same month the single was certified Gold by the RIAA. “Prayer” became Franklin’s ninth and last consecutive Hot 100 top 10 hit on the Atlantic label. Franklin’s “Prayer” has a special significance in her UK career, as with its September 1968 No. 4 peak it became Franklin’s biggest UK hit; subsequently Franklin has surpassed that track’s UK peak only with her No. 1 collaboration with George Michael, “I Knew You Were Waiting (For Me)”.
The only fool bigger than the person who knows it all is the person who argues with him. Stanislaw Jerzy Lec Stanislaw Jerzy Lec was a Polish lyricist and his poetry and aphorisms are definately still worth reading. 52 more words … Continue reading Watch Out Person Who Knows It All — BE KITSCHIG
Just a short blog, saying a massive thanks to “Ursula” at British Airways, for allowing me to change my flight dates, waiving normal change fees, “bending” the rules for me. I think there will only be a small fare change fee, if any. Very polite and helpful on the phone today, and she want the extra mile for me – I’m grateful.
This is the second time (recently) I’ve had helpful customer service from British Airways and they’ve bent over backwards to help me. The other time was during the crew strike last year, and they were able to get me an alternative flight with Qatar airways, and very helpful on the phone.
99% of the time BA have treated me exceptionally well, over the years, and I’m happy to fly with them. I was even once, many many years ago, upgraded (for free) from club to first, by a very kind woman at JFK New York. It’s the first time I’d been in first, and will probably be the last, as no way I can afford to fly first or even club these days.
As a relatively frequent flyer (in economy) – My only (critical) suggestions for BA are :
Be a little more lenient on slightly overweight bags – most of us don’t have professionally calibrated scales at home, and do our best to follow the rules (like weighing bags at home as best we can). Occasionally we may be a kilo or two overweight. In the scheme of things this shouldn’t cause the flight a problem, as other passengers after often underweight. It’s pretty off to have a fare paying passenger on their hands and knees at check-in desk repacking suitcases, and having to throw things away – that should be an absolute last resort.
Do something about the rude, and unhelpful staff at check-in at Suvarnabhumi airport in Bangkok, and this relates to 1. above. I hasten to add that most of the check-in staff in Bangkok have usually been very polite and helpful, but there are definitely some bad eggs.
Get rid of the ghastly check-in machines at terminal 5 (London Heathrow), and put some real people back on check-in desks. It’s quite the disappointment to arrive at the airport, and not speak to a real human being, I do feel robbed of something valuable. Aside from after having a million things to organise, to then have to work out how to put a luggage label on a bag, and work out an unfamiliar computer system – especially for older people. Automating and mechanising things isn’t always progress, especially for those check-in ladies and gents who will have lost their jobs.
I make these criticisms with a positive intent, as I think it would improve BA’s service, to a higher standard – these small things make the difference between loyal customers, and customers who eventually will fly with someone else.
Sincerely I wish BA the very best of luck financially, over the coming weeks and months, as this will be a very challenging time for them because of the pandemic. Qatar airways have a 25% shareholding in BA, so might be they may be able to help.
Thank you once again BA, and Ursula who works for BA customer services.
Another “Double Whammy” from Don Charisma – old and new versions, 1937 Andrews Sisters, and 2014 The Hot Sardines. The Andrews Sisters’ version was their first number one hit. I believe the original title is Yiddish, and there has also been German titled versions (see Wikipedia quote below).
In English it means – “To Me You’re Beautiful”
I’m not quite sure what the genre is called, roughly I’d say “Swing”, in both cases, but feel free to correct me if I’m wrong. Categorising music isn’t my strong suit.
2014 – The Hot Sardines – “Bei Mir Bist Du Schoen”
“Bei Mir Bistu Shein” (Yiddish: בײַ מיר ביסטו שיין, [ˌbaj ˈmir ˌbistu ˈʃejn], “To Me You’re Beautiful”) is a popular Yiddish song written by Jacob Jacobs (lyricist) and Sholom Secunda (composer) for a 1932 Yiddish language comedy musical, I Would If I Could (in Yiddish, Men Ken Lebn Nor Men Lost Nisht, “You could live, but they don’t let you”), which closed after one season (at the Parkway Theatre in Brooklyn, New York City). The score for the song transcribed the Yiddish title as “Bay Mir Bistu Sheyn”. The original Yiddish version of the song (in C minor) is a dialogue between two lovers. Five years after its 1932 composition, the song became a worldwide hit when recorded under a Germanized title as “Bei Mir Bist Du Schön” by The Andrews Sisters in November 1937.
Old and new … I was introduced to this tune, by “Shaft” in some sweaty dance club in the wee hours of the morning, after likely consuming too much alcohol. Might have been trying to attract girls, badly – should probably stick with what I’m good at, like someone once told me.
I’ve since discovered the Dean Martin version from 1954, which in some ways I like more.
The 1999 version is an upbeat clubby trashy EDM tune. The 1954 version is soothing and, more easy listening.
1954 – Dean Martin Version
1999 – Shaft Version
“¿Quién será?” is a bolero-mambo written by Mexican composer Luis Demetrio, who sold the rights to fellow songwriter Pablo Beltrán Ruiz. Beltrán recorded the song for the first time with his orchestra in 1953. Pedro Infante, for whom the song was written, recorded it in 1954.
Norman Gimbel took the song, removed the somewhat melancholy Spanish lyrics about a man wondering if he shall ever love again, and wrote brand-new English lyrics about a man praising his dancing partner’s ability to affect his heart with how she “sways” when they dance. This new song, titled “Sway”, has become a standard in both the pop and jazz repertoire. The first version to achieve considerable success in the United States was recorded by singer Dean Martin with the Dick Stabile orchestra in 1954.